Mike Moore's Stratocaster

Mike Moore of Calgary is the owner of the guitar shown below. Many thanks to him for the photo and his article which follows:

Click on photo for large picture.

"Better Late Than Never" ran the headline in the local paper.  "The group, minus their equipment, broke on stage in the early morning and put on a wonderful show" was part of the review of The Who concert in Kingston Ontario on July 15 1968.  I have spent many  hours talking to radio stations, rink rats, former disc jockeys and searching reams of microfiche files in an effort to track down the guitar Townshend used in this concert.  

Flying into Toronto from Cleveland the band was detained by customs "because they couldn't put up bond for their  $20,000 worth of equipment".  The Memorial Centre's manager lined up some local equipment for the showÖ..unfortunately he didn't know of the bands peculiar method of wrapping up a concert.  Predictably the band destroyed the instruments, did their post concert autograph stuff and disappeared into the night.  When their equipment eventually showed up there was a lien slapped on it faster than you can say "he smashed my guitar".   One of the rink rats, who worked the concert, told me the confiscated amps were used as a PA and were eventually sold at auction about ten years ago (love to find who bought them ). 

The guitar that Townshend smashed at the concert started life as a 1958 Fender Stratocaster.  Someone had "upgraded" it in the sixties with new pots and a rosewood fret board ( the original would have been maple).  A contest by the local radio station gave away what was left of the guitar as a promotional gimmick.  The guitar was basically broken in half being held together by the neck plate.  The neck was about a foot long, the headstock completely missing.  Bits and pieces of hardware hung off it.  All the members of The Who signed it as well as the warm up band and the local disc jockey. 

A good friend of mine won the guitar and it was always around at parties in the late sixties and early seventies. I have always played Strats and as a kid had wanted to take the neck off my 1964 Strat, put it on the "Townshend Strat" and turn it back into a playable guitar.   I decided to see if the guitar was still around.  My friend  joined the Navy in 1975 and the guitar sat in his closet for a number of years.  His Nephew thought it was cool, took it and in a confused drunken moment gave it away.  He was a dead end because he couldn't remember who he gave it to.  Fortunately I was able to find someone who remembered who he had given it to.  He remembered the guy had worked at a kid's shoe store.  After numerous phone calls I found him, he was now the manager of a shoe store.  I inquired  if he would like to sell the guitar.  He said no, but we got talking about bands that we had played in from that era and he invited me over for coffee.  He was an interesting character who's band was well know in Canada and had some hits in the middle to late sixties.  To make a long story somewhat shorter I ended up with the guitar. 

Since getting the Strat I have replaced the missing hardware  with original 50s pieces and the neck and pickguard are off a 1957 reissue Strat.  Oddly enough it is a great playing and sounding Strat!  The guitar can easily be returned to its "original" state that Townshend left it in 1968. 

Mike Moore

Following is from The Concert File by Joe McMichael and "Irish" Jack Lyons:

"The Who arrived at Kingston two hours late and eventually played this show before 1,300 fans in the early hours of Tuesday morning. Although the band were scheduled to be on stage at 10:00pm, three local support acts kept the audience entertained. Trouble started for The Who when they landed en route in Toronto. With Daltrey and Townshend now without passports, the customs officials demanded a $20,000 bond to release the band's equipment, among other formalities. James McCormick, the promoter, chartered two aircraft to fetch The Who and entourage from Toronto after the customs had been satisfied, but the equipment stayed behind. McCormick supplied instruments and equipment from a local source, although this didn't stop Pete smashing a 1958 vintage Fender Stratocaster. According to McCormick, The Who "put on a wonderful show". Incidentally, the restored guitar is now owned by Mike Moore of Calgary".


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